Rendering Selection Dialog

①Main Rendering

On this area, you can select the main rendering which converts scene referred color to output referred color.

When you use this rendering, please click the button on the top to enable the controls.

1st column is the selection of the target color space. The rendering will convert the color to fit into the target.

2nd column is the rendering itself. There are RRT, print film emulation or various camera's rec709 output emulation. The candidates will vary depend on the selected target.

②Film Look

You can select various motion picture negative film look. You can select only the film look without selecting main rendering.

Type	Characteristic
F-64D	Higher tone scale and intensity than ETERNA 500. It reproduces images with great color contrast and vividness. Overall higher scale tone and saturation. Significantly reproducing images with precise and vividness.
ETERNA Vivid160	Slightly higher tone scale and contrast than ETERNA 500. It significantly enhances yellow tone reproduction.
ETERNA Vivid500	Reproduces a lower tone scale and higher saturation images than ETERNA 500.
ETERNA 250	Reproduces slightly higher saturated images than ETERNA 500.
ETERNA 250D	FUJIFILM’s standard negative recording film. It reproduces images with moderate contrast and saturation.
ETERNA 500	FUJIFILM’s standard negative recording film. It reproduces images with moderate contrast and saturation.
ETERNA 400	Reproduces lower contrast and saturation images with soft tone than ETERNA 500.
REALA 500D	Reproduces equivalent contrast and clear color saturated images as ETERNA 500.
ETERNA　Vivid 400	Reproduces lower and clearer saturation images than ETERNA 500 overall. This is a digital rendering of a theoretical film type.

③Gamma

You can select total system hardness from 1.0 to 0.5. 1.0 is the standard gamma suitable for digital cinema. For TV broadcasting, 1.0 is a little bit harder so aournd 0.8 is preffered.